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Sunday, April 28, 2013

The Venda Python Dance (information & videos)

Edited by Azizi Powell

Latest revision- December 18, 2020

This Zumulayah post presents videos that suggest some similarities between the Venda (South African) female initiation dance known as the python dance and the very close contact processional formation used by some historically Black Greek lettered sororities' probate groups when those groups enter the performance area for their probate* show.

The content of this post is presented for folkloric, cultural, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Venda people of South Africa. Thanks to all the performers featured in these videos. Thanks also to the authors & commenters whose comments are featured in this post and thanks to the uploaders of the featured videos.

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EDITOR'S NOTE ABOUT ADDING COMMENTS ON THIS BLOG
With considerable regret, I have disabled the comment feature on this blog (and on my other blogs except for https://pancocojams.blogspot.com, because of the large number of spam comments that I received on those blogs.

Comments for those blogs can be sent to my email address azizip17 dot com at yahoo dot com for possible inclusion in a specific post on those blogs.

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ZUMULAYAH'S EDITOR'S NOTE
 This Zumulayah post is meant to point out the similarities in these historically Black Greek letter sorority vertical line formations, and not to assert that the Venda dance was the source for this type of probate processional formation. That said, I believe that it's quite possible that the South African Venda female initiation dance might have been the inspiration or one of the inspirations for this historically Black sorority vertical line formation.

Here's a definition of "probate" in the context of sororities & fraternities: A probate is a show that introduces new members of a sorority (or fraternity) to other members of their sorority (or fraternity), to other "Greeks", to family, friends, and to other onlookers. For historically Black sororities and fraternities, probate shows heavily involve the performance art of stepping. 

Traditionally, Black Greek lettered fraternities also appear to have a formation in which they stand close to the person in front of them and sing or chant. However, in the videos I've seen the men lock arms but don't rest their head on the back of the person standing in front of them, nor do they hold hands with the person in front of & behind them. Click http://www.youtube.com/watch?v=EdgwjN11AyY "Zoom Zoom" (Alpha Phi Alpha Fraternity) for an example of this type of close fraternity vertical line formation.

My guess is that the very close line formation symbolizes the group's unity. The ability to act as one body that is demonstrated by the group's synchronized movements may symbolizes the cohesiveness that was forged as a result of the individuals' experiences of becoming members of their group. Also, the group's moving forward with their eyes closed and/or with their heads resting on their sister's back and being led by one member may represents the group's trust in each other, and especially their trust in that lead sister. Furthermore, the group moving forward in spite of their tiredness highlights the importance of the goal and the value of perseverance to reach that goal..

It's possible that the Venda python dance also has those meanings in addition to the cultural meanings which were given in the above quote about that dance.
-snip-
This same post was originally published  at 
 http://pancocojams.blogspot.com/2013/01/similarities-between-venda-python-dance_7.html .

Visit pancocojams for other posts of the subject of Venda Domba dance and the subject of historically Black Greek letter fraternities and sororities probates. 

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INFORMATION ABOUT THE VENDA
From http://en.wikipedia.org/wiki/Venda_people [hereafter given as Wikipedia- Venda]
"The Venda (VhaVenda or Vhangona) are a Southern African Bantu people living mostly near the South African-Zimbabwean border.

Venda people share ancestry with Lobedu people and Kalanga people. They are also related to Sotho-Tswana and Shona groups."...

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From https://en.wikipedia.org/wiki/Venda
"Venda (/ˈvɛndə/) was a Bantustan in northern South Africa, which is fairly close to the South African border with Zimbabwe to the north, while to the south and east, it shared a long border with another black homeland, Gazankulu. It is now part of the Limpopo province [of the nation of South Africa]. Venda was founded as a homeland by the South African government for the Venda people, speakers of the Venda language.[4] The United Nations and international community refused to recognise Venda (or any other Bantustan) as an independent state."..
-snip-
I added the words in brackets to further explain the end of that sentence.]

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DESCRIPTION OF THE VENDA PYTHON DANCE & ITS SIMILARITY TO THE HISTORICALLY BLACK SORORITY PROBATE ENTRANCE FORMATION
I'm not sure if there is a standard name or any name for the commonly performed historically Black (African American) sorority probate (new members) entrance march which is the focus of this post. However, that very close contact vertical line formation is very similar to that which is described for the Venda people's "python dance" at Domba initiation rituals.

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INFORMATION ABOUT THE VENDA PYTHON DANCE
Here is information about the symbolism of the Venda python dance (also known as the Venda "Domba" dance:

 [Note: On December 17, 2020 I replaced the original excerpt that was included in this post for the excerpt given below.]

 From 2008 pdf by Kent D. Fowler, University of Manitoba entitled "Social Memory and the Antiquity of Python and Crocodile Symbolism in Southern Africa"

..."Pythons, on the other hand, are directly associated with leadership in Shona, Venda and Zulu cultures. In Venda court art, python and crocodile imagery are paired, with crocodile images in the centre surrounded by those of pythons (Huffman 1996:89). In the Venda “python dance”, the same structure is found. Initiates dance in an undulating line emulating a python encircling a pool represented by the central court. In this context, the python is the “snake of the water”, a metaphor for female fertility. Pythons are also paired with the mountain imagery of chiefs and referred to as “snake of the mountain”. On some hilltops, it is believed that pythons guard the entrance of caves that contain pools that are portals to the world of ancestors (Huffman 1996:91). When linked to chieftainship and hilltops, pythons are the “snake of the mountain” and invoke linked metaphors for rainmaking, young and junior men, and male virility."...
-snip-
Click https://pancocojams.blogspot.com/2020/12/pdf-excerpt-about-symbolism-of-pythons.html for the pancocojams post entitled "PDF Excerpt About The Symbolism Of Pythons And Crocodiles In Venda (South African) Culture". Additional statements about this subject are included in the comment section of that post.

Also, click https://pancocojams.blogspot.com/2020/12/traditional-performance-and.html for the 2020 pancocojams post entitled "Contemporary Changes In Where and How The Venda (South African) Domba Dance (also known as the Python Dance) Is Performed".

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Additional comments about the python dance that are performed at the Domba are found below the video that is given as "Video #1" in this post.

Two of the YouTube videos of that dance (given here as Videos #1 & #2) show the female in the front of the line with one or both of her hands held out to suggest a snake's head. The faces of the females in the line are expressionless and their eyes are closed. Each woman behind the woman at the head of the line lays her head on the back of the woman in front of them. The impression I got from the dance that the woman were very tired and were slowly walking forward in their sleep. Occasionally, the right arms and then the left arms of the entire group rhythmically undulate in a synchronized manner as the group slowly proceeds across the floor.

Judging from YouTube videos of historically Black Greek lettered sororities that I have watched, the line formation described above but without the undulating arm movement, appears to be commonly used as the entrance procession for most Black Greek lettered sorority probates. 

I've not reviewed many videos of the five historically Black Greek lettered fraternities to determine if each of those organizations have a similar close contact formation for their probates or their other members. However, I came across this video of a similar formation by members of Alpha Phi Alpha Fraternity, Inc: http://www.youtube.com/watch?v=EdgwjN11AyY". In this video the men stand very close together with locked arms and without moving away from their spot. The first man in line doesn't fold his hands in a triangle position, and the men after the first person in line don't lay their head on the person in front of them.

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VIDEOS OF THE VENDA PYTHON DANCE (AT VENDA DOMBAS)
Video #1: Domba



bigbluemeanie, Uploaded on Nov 9, 2006

The famous Domba initiation dance of the Venda tribe of Southern Africa
-snip-
Here are two comments from this video's viewer comment thread:
filato22, 2010
you can say that again its more zululized than venda. proudly venda
-snip-
bigbluemeanie, 2012
..."Domba was the third and final phase in Venda girls' initiation, which should have been attended after a girl had been to vhusha and tshikanda. It took place every three to five years at the head-quarters of chiefs and certain senior headman, and lasted for about one year. Its importance to the Venda was marked by the use of the bass drum (ngoma), which was also used in tshikona, the Venda national dance. There were a number of special rites and shows associated with domba…

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Video #2: UMOJA - The Spirit of Togetherness Part 2



Mrbobodigital, Uploaded on Mar 23, 2011
-snip-
The Domba dance is from 2:17 to 3:50 of this video.

The description of this dance given as a subtitle in this video is "initiation dance for young women when they reach womenhood".

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Video #3: Domba La Africa



dombalaafrica, Uploaded on Feb 26, 2010

Traditional Dance Group based in Soweto. Founded by the Late Co-founder of the Soweto Gospel Choir and Musical Director David Mulovhedzi
-snip-
The Domba dance is performed in this video from .53 to 1:01 and the video ends with a still photograph of that dance.

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Video #4: venda dance



nkosiafrika, Uploaded on May 13, 2010

great va venda mothers proudly dance @a wddng in soweto south africa

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RELATED VIDEOS
Here are links to two other traditional Venda dances:

http://www.youtube.com/watch?v=5e-hSuDsDc0

Venda women perform Malende traditional dance

**
http://www.youtube.com/watch?v=RUVkQFhdp3Y
Tshikona traditional Venda dance

Note: These links aren't meant to imply that these are the only other traditional Venda dances.

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Thanks for visiting Zumulayah.

Visitor commentsa are welcome.

Monday, April 15, 2013

The Electric Slide In The USA, The Caribbean, And In Africa

Edited by Azizi Powell

This post presents information about the Electric Slide line dance and showcases selected videos of that dance.

The content of this post is presented for folkloric, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

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EDITOR'S NOTE ABOUT ADDING COMMENTS ON THIS BLOG
With considerable regret, I have disabled the comment feature on this blog (and on my other blogs except for https://pancocojams.blogspot.com, because of the large number of spam comments that I received on those blogs.

Comments for those blogs can be sent to my email address azizip17 dot com at yahoo dot com for possible inclusion in a specific post on those blogs.

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INFORMATION ABOUT THE ELECTRIC SLIDE
The Electric Boogie is a song that was written by Jamaican Reggae artist Bunny Wailer. That song was first recorded in 1976 by Bunny Wailer & Marcia Griffiths and was released again in 1989 by Marcia Griffiths.

According to http://en.wikipedia.org/wiki/Electric_Slide "The Electric aka The Electric Slide is a four wall line dance that was created by choreographer Ric Silver in 1976.

In the United States, the Electric Slide is a highly participatory dance. When that record comes on at weddings, parties, and other social gatherings, the expectation is that a lot of people, regardless of gender or age, will come on to the dance floor and join in that danc.anyone who wants to join in that dance. It should be noted that the Electric Slide isn't just a feature at African American social gatherings, but is also done by White Americans and Americans of other races & ethnicities. While the Electric Slide dance was first done to Marcia Griffiths' "Electric Boogie", particularly among African Americans the 1986 record "Candy" by the Funk group Cameo appears to be the record that is most often played for that dance. This is due in part to that record being used for the Electric Slide scene at the end of the American movie "The Best Man" http://www.imdb.com/title/tt0168501/. A video of that scene is given below as Example #1.

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FEATURED VIDEOS
(The geographical location, including nation if known, is given in brackets after the video's title.)

Example #1: Terrence Howard in dance scene 'The Best Man' [USA]



kiowasioux1980,Published on Jul 24, 2012

Terrence Howard cutting the rug in this dance scene 3 3 3
-snip-
The "3"s are a way of writing smiles.

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Example #2: Rob Charlemagne's 50th Birthday [USA]



Pamela Rene, Uploaded on Dec 6, 2010

Cameo - Electric slide

-snip-
Notice the “Go shortie. It’s your birthday” chant that is said in the beginning of this video, but not in the record. The chant "Go (person's name). It's your birthday" comes from the 1994 Hip-Hop record by Luke Campbell entitled “It’s Your Birthday”. Since that record’s release, that phrase has been frequently used for birthdays by some African Americans, often before or after the standard "Happy Birthday" song. The word "go" in this phrase means "Do your thing". Do what you're doing well". A "shortie" can mean a child or a young person. Therefore, the word "shortie" in the phrase "Go shortie" doesn't necessarily mean "a short person", although it probably means that in this instance.

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Example #3: Nigeria/Jamaica Wedding/ Electric Slide Dance! USA [USA Nigeria/Jamaican wedding]



Nigeria Liberty Forum, Uploaded on Apr 18, 2009

Nigerian Man weds Jamaican Lady in New Ark, New Jersey USA.

Nigerian Ayorinde and Krystal brought out the best in the African- Caribbean culture and a mix of the sha sha dance! 17th April 2009.
-snip-
Here's an interesting comment from this video's viewer comment thread http://www.youtube.com/watch?v=1KlzNv7ZfYo
darknhansum4lyfe, 2010
"Nice, no matter what kind of gathering we as black people have it's one song gauranteed to play and mostly everyone join. Yesss! The Electric Slide,lol. Sometimes, you got to get gizzy with it and take it to the floor,lol, if your bones and joints will let you. LOL"
-snip-
"Get gizzy" means to do really good dance moves. "Take it to the floor" means to dip down close to the floor.

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Example #4: Quelbe Slide [The Caribbean - United States Virgin Islands]



d1spoonky, Uploaded on Mar 16, 2011

Quelbe (Electric) Slide @ Agricultural Fair 2011...People Dancing the Electric Slide Crucian Style!!!
-snip-
"Quelbe" is the national music of the Virgin Islands. "Crucian" = the people who live in St Croix, Virgin Islands.

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Example #5: Sheila and Eli Wedding Electric Slide Dance [The Caribbean - The Dominican Republic]

.

Syyeary Uploaded on Dec 10, 2009

Wedding Dance, Sheila and Eli, Electric Slide at their wedding reception at the Majestic Elegance Resort in the Domincan Republic

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Example #6: Candy Dance at Nana & Russell Nii Odartei's engagment party [Africa - Ghana]



Uploaded on Oct 13, 2009

10-10-09 will always stay in my mind, because that's the day Nana & Russell Odartei Evans had their traditional wedding at home. Then in the evening they had what will go down as the best engagement party ever!!!! & the crowning was everyone joined in the CANDY DANCE !!!.
-snip-
"Ghanaian engagment parties" = wedding

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Example #7: African Electric Slide [Africa - Nigeria]



Efosa Igbinovia, Uploaded on Sep 27, 2011

Electric Slide 9ja style!!! Hahaha loved this
-snip-
9ja = "Naija" is a colloquial referent for Nigeria. http://www.bbc.co.uk/news/world-africa-11447252 "Nigeria at 50: What does Naija mean?" October 2010

Judging from their clothing, hat and their red beaded necklace, these men are from the Igbo ethnic group in Nigeria. Notice that in contrast to the usual response to this song in the USA, the two men dance the Electric Slide alone.
Also, in Nigeria, "engagement party" also mean "wedding".


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RELATED LINKS
http://pancocojams.blogspot.com/2012/02/history-of-electric-slide.html History Of The Electric Slide
**
http://pancocojams.blogspot.com/2012/02/selected-videos-of-electric-slide.html Selected Videos Of The Electric Slide

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ACKNOWLEDGEMENT AND THANKS
Thanks to all those featured in these videos & congratulations to all those in the videos who were celebrating weddings or birthdays or some other special occassion. My thanks also to the producers of these videos and their publishers on YouTube.

Thanks for visiting zumalayah.

Zumalayah showcases videos of dances & singing games done in circles or in lines, and other movement performance arts from African American culture, from African cultures, and from other cultures of the African Diaspora.

Visitor comments are welcome.

Sunday, April 14, 2013

Quadrille Dancing In The Caribbean

Edited by Azizi Powell

This post presents information about the Quadrille dance, and seven videos of that dance in various Caribbean nations.

The content of this post is presented for folkloric, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

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EDITOR'S NOTE ABOUT ADDING COMMENTS ON THIS BLOG
With considerable regret, I have disabled the comment feature on this blog (and on my other blogs except for https://pancocojams.blogspot.com, because of the large number of spam comments that I received on those blogs.

Comments for those blogs can be sent to my email address azizip17 dot com at yahoo dot com for possible inclusion in a specific post on those blogs.

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INFORMATION ABOUT THE QUADRILLE
From http://en.wikipedia.org/wiki/Quadrille
"Quadrille is a historic dance performed by four couples in a rectangular formation, and a precursor to traditional square dancing. It is also a style of music...

The term quadrille came to exist in the 17th century, within military parades, in which four horsemen and their mounts performed special square-shaped formations or figures. The word quadrille is probably derived from the Spanish word cuadrillo (Spanish diminutive of cuadro, meaning small square from Latin quadrus, quadra, quadratus meaning square, block or square section, squared or square-shaped, respectively...

This performance became very popular, which led people to perform a quadrille without horses. In the 18th Century (estimated around 1740) the quadrille evolved more and more in an intricate dance, with its foundation in dances like cotillions. It was introduced in France around 1760, and later in England around 1808 by a woman known as Miss Berry. It was introduced to the Duke of Devonshire and made fashionable by 1813. In the following years it was taught to the upper classes, and around 1816 many people could dance a quadrille."
-snip-
Click this link for a video of one style of Quadrille dancing in Europe http://www.youtube.com/watch?v=3JPrMGiGJdo

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FEATURED VIDEOS
(These videos are presented in chronological order based on the date of their YouTube posting, with the oldest dated videos posted first. The Caribbean nation from which the dancers come is given in parenthesis after the video's title.)

Example #1: Quadrille Dancing in Choiseul, St. Lucia (St. Lucia)



Uploaded by TameronEaton on Mar 6, 2008

This video shows traditional St. Lucia Quadrille dancing performed by the Dugard Primary students at the 2008 Choiseul Village Council swearing in ceremony. The students are wearing the St. Lucia flag colors rather than the traditional red plaid outfits known at madras.

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Example #2: Quadrille Dancers 14th June 2008 (Dominica)



UniquelyDominican, Uploaded on Jun 15, 2008

http://dominican-diaspora.com - Dominica Oversea Nationals Association (DONA) -Quadrille Dancers

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Example #3: Free Style Quadrille St. Croix, U. S.. Virgin Islands. (United States Virgin Islands)



d1spoonky, Uploaded on Mar 17, 2011

The Dancers went and got people from the audience to participate in the Quadrille dancing @ the Agricultural Fair 2011

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Example #4 Parade de Quadrille au Lamentin (Guadeloupe)



Mrclarisma, Uploaded on Jun 21, 2011

Le Quadrille guadeloupéen ; au travers de notre histoire et de nos activités artistiques, nous mettons en avant le patrimoine cultutrel de la guadeloupe.

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Example #5: Quadrille Guadeloupéen. La boulangère Dansée par DYNAMIQUE CLUB (Guadeloupe)



Mrclarisma, Uploaded on Sep 19, 2011

L'Association Dynamique Cub perpétue la tradition dans le domaine artistique et culturel Guadeloupéen.

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Example #6: Haute-Taille, quadrille de la Martinique.avi (Martinique)



tchaykorossol, Uploaded on Jan 2, 2012

[This video's lengthy summary statement is in French]

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Example #7: We Deh Ya Cultural Dancers (United States Virgin Islands)


EyesbyJe1, Published on Apr 29, 2012

"We Deh Ya" Cultural Dancers performing at the St. Thomas' 2012 Food Fair celebrating 60 years of Carnival [Virgin Islands]

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RELATED LINKS

Click this link for a video of quadrille dancing in Jamaica: http://www.youtube.com/watch?v=UA5oGKbKbPQ.

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Click this page of my cultural website for other videos of Caribbean folk dances:
http://cocojams.com/content/caribbean-folk-dances

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ACKNOWLEDGEMENT AND THANKS
Thanks to all those featured in these videos. Thanks to those who choreographed these dances and those who provided information about this dance. My thanks also to the producers of these videos and their publishers on YouTube.

Thanks for visiting zumalayah.

Zumalayah showcases videos of dances & singing games done in circles or in lines, and other movement performance arts from African American culture, from African cultures, and from other cultures of the African Diaspora.

Visitor comments are welcome.

Friday, April 12, 2013

Information & Videos Of An African Traditional Dance From Zimbabwe (Mbende, Jerusarema)

Edited by Azizi Powell

This post presents three videos of a Zimbabwewan traditional dance called "Mbende". That dance is also known as "Jerusarema".

The content of this post is presented for folkloric, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

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EDITOR'S NOTE ABOUT ADDING COMMENTS ON THIS BLOG
With considerable regret, I have disabled the comment feature on this blog (and on my other blogs except for https://pancocojams.blogspot.com, because of the large number of spam comments that I received on those blogs.

Comments for those blogs can be sent to my email address azizip17 dot com at yahoo dot com for possible inclusion in a specific post on those blogs.

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INFORMATION ABOUT THE MBENDE DANCE
From http://ahenbadance.piczo.com/dancesandmeaning?cr=1 African Dances And Their Meanings
Dances from Zimbabwe
Mbende
"Mbende also known as Jerusarema, comes from the Zezuru people of western Mashobaland of Zimbabwe. Originally, this dance was performed exclusively during the marriage ceremony of a chief's daughter but it is now open to all men and women of marrying age. The dance movements are "sexual in nature"; mimicking courtship and sexual encounters but at the same time exhibiting sexual prowess of both men and women."
-snip-
Additional information about this traditional Zimbabwean dance is found in the summary statement of the video given as Example #1 of this post.

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FEATURED VIDEOS
(These videos are presented in chronological order based on the date of their YouTube posting, with the oldest dated videos posted first.)

Example #1: The Mbende Jerusarema Dance

http://www.youtube.com/watch?v=ltiDSchYzwY
unesco, Uploaded on Sep 28, 2009
Embedding disabled by request

UNESCO: Representative List of the Intangible Cultural Heritage of Humanity - 2008
URL: http://www.unesco.org/culture/ich/RL/.
Description: The Mbende Jerusarema Dance is a popular dance style practiced by the Zezuru Shona people living in eastern Zimbabwe, especially in the Murewa and Uzumba-Maramba-Pfungwe districts.

The dance is characterized by acrobatic and sensual movements by women and men, driven by a polyrhythmic drummer accompanied by men playing woodblock clappers and by women handclapping, yodelling and blowing whistles. Unlike other drum-based East African dance styles, the MbendeJerusarema does not rely on intricate foot stamping or a large number of drummers. Instead, the music is performed by one master drummer, and no songs or lyrics are involved.

In the course of the dance, men often crouch while jerking both arms and vigorously kicking the ground with the right leg in imitation of a burrowing mole. The dances curious name reveals much about its vicissitudes over the centuries. Before colonial rule, this ancient fertility dance was called Mbende, the Shona word for mole, which was regarded as a symbol of fertility, sexuality and family. Under the influence of Christian missionaries, who strongly disapproved of this sexually explicit dance, the dances name was changed to Jerusarema, deriving from the Shona adaptation of the name of the city of Jerusalem, to endow it with a religious connotation. Both names are commonly used today. In spite of its condemnation by the missionaries, the dance remained popular and became a source of pride and identity in the struggle against colonial rule.

The dance is changing its character and meaning as its enactment as an exotic animation for tourist audiences becomes more widespread. It is also increasingly used at political party rallies, where it is removed from all its original intentions. The mitumba drum, rattles and whistles, which used to accompany the dance, have successively been replaced by instruments of poor quality, contributing to the loss of the uniqueness of the Mbende music.
Country(ies): Zimbabwe
-snip-
Notice an example of belly bucking (in Portuguese "umbigada") in this video at 1:29 and at other times. That dance movement is also found in the Mabelo folk dance from Martinique, West Indies. Click http://zumalayah.blogspot.com/2013/04/videos-of-mabelo-folk-dance-from.html for a post on Mabelo dances.

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Example #2: The Best of Jerusalema Mbende - Proudly Zimbabwean



Zimbabwe HOPE TV, Published on Jul 23, 2015
The Best Drumbeat, The Best Dance, The Best Dancers of Zimbabwe Traditional Dancing; Proudly Zimbabwean

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Example #3: Murewa - Jerusarema Crew


eldridgemash, Uploaded on Nov 3, 2011
-snip-
Notice that all the dancers are elderly.
Examples of belly bucking are found at 5:43 - 6:05 and at other times in this video.

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ACKNOWLEDGEMENT AND THANKS
Thanks to all those featured in these videos. Thanks to those who choreographed these dances and those who provided information about this dance. My thanks also to the producers of these videos and their publishers on YouTube.
Thanks for visiting zumalayah.

Zumalayah showcases videos of dances & singing games done in circles or in lines, and other movement performance arts from African American culture, from African cultures, and from other cultures of the African Diaspora.

Visitor comments are welcome.

A Folk Dance From Martinique (Mabelo)

Edited by Azizi Powell

This post presents four videos of the Mabelo folk dance from Martinique, West Indies.

The content of this post is presented for folkloric, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

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EDITOR'S NOTE ABOUT ADDING COMMENTS ON THIS BLOG
With considerable regret, I have disabled the comment feature on this blog (and on my other blogs except for https://pancocojams.blogspot.com, because of the large number of spam comments that I received on those blogs.

Comments for those blogs can be sent to my email address azizip17 dot com at yahoo dot com for possible inclusion in a specific post on those blogs.

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INFORMATION ABOUT THE MABELO DANCE
The Mabelo is a very old Martinique folk dance that is a form of the larger category of Bele dances. The name "Mabelo" probably come from the French phrase "ma belle" (my beauty).

The Mabelo dance is very much like the Calenda (Kalinda) which is documented in the Caribbean and the USA from as early as the 18th century. Mabelo features a processional entry and males & females dancing in two horizontal lines. "Umbigada" *(the bellies of two dancers touching each other) is the central feature of this dance.

*"Umbigada" is the Portuguese word that is translated to English as "belly bucking".

Here's some information about the Calenda from http://www.streetswing.com/histmain/z3calnda.htm

"The Calinda was a dance of multitude, a sort of vehement cotillion. Men and women would dance with Lascivious Gestures, the thighs together, striking them together in a rhythm patting, and would feature pelvic thrust's and hip gyrations. They then would separate with a pirouette, only to begin advancing towards each other all over again, doing the same movements with lascivious gestures. These dancers would sometimes last for hours and upon tiring, another would take their place. Throughout the dance the dancers would lock arms and make several revolutions, slapping their thighs and "kissing each other." The Calenda had numerous attempts of mock and ridicule and had actual attempts at banning the dance from society, and finally un-successfully banning the dance in 1843, however the Calenda lasted well into the late 19th century, despite the protests.

The Cuban Rumba is said to be a descendant of the Calinda Dance."
-snip-
Here's a one line description of that dance from http://ziloka.wordpress.com/2009/07/28/bele-when-martinique-dances/
"Mabelo: a rather saucy dance where the dancer throw themselves at the other."

FEATURED VIDEOS
(These videos are presented in chronological order based on the date of their YouTube posting, with the oldest dated videos posted first.)

Example #1: MARTINIQUE - Bèlè **Mabélo**

lagoyave, Uploaded on Apr 22, 2008
Tradition Martinique
People from Martinique Island (FWI)

http://www.youtube.com/watch?v=UtG2uLDEUUI

Embedding disabled by request

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Example #2: MARTINIQUE - Mabel O petite demo de la danse Bele et bonne humeur



lagoyave, Uploaded on Dec 22, 2010

Démonstration avec des volontaires du public. Ma Belle Oh (Mabèl O) est un titre célèbre du Bèlè, danse traditionnelle de la Martinique. C'était aussi un chant pour la fécondité. Si vous partez en vacances en Martinique, renseignez-vous auprès de l'office du tourisme et des collectivités pour assister à un 'rassemblement' typique de danses Bèlè, Kalennda et Damier, d'abord parce que l'ambiance y est formidable et puis ensuite cette tradition est magnifique. Des cours sont également disponibles à Paris et en région Ile-de-France. Surtout n'hésitez pas à me laisser un commentaire ou à m'envoyer un e-mail...=;)
-snip-
I don't speak French, but I think that the title of this video indicates that this is a brief, good humored [a funny] demonstation of this style of Bele dancing. And if I'm correctly deciphering it, I think that a portion of that summary says that this is a public demonstration of a fertility dance which is similar to the Calenda dance. And if I'm not mistaken, the commenter also writes that the name for this style of Bele dance comes from the phrase Ma Belle Oh" (Oh my beautiful lady).

Additions & corrections to this partial transcription are welcome.

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Example #3: Bèlè - Mabello - Bourg de Schoelcher



MrDjipe, Published on May 4, 2012

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Example #4: Mabelo Danse traditionnelle sous forme de ballets martiniquais



keops97208, Published on Jul 18, 2012

Danse traditionnelle sous forme de ballets martiniquais

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RELATED LINKS
http://zumalayah.blogspot.com/2013/04/bele-dances-in-martinique-west-indies.html
**
http://pancocojams.blogspot.com/2012/02/comparison-of-various-calenda-like.html
**
http://cocojams.com/content/caribbean-folk-dances

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ACKNOWLEDGEMENT AND THANKS
Thanks to all those featured in these videos. Thanks to those who choreographed these dances and those who provided information about the Mabelo dance. My thanks also to the producers of these videos and their publishers on YouTube.

Thanks for visiting zumalayah.

Zumalayah showcases videos of dances & singing games done in circles or in lines, and other movement performance arts from African American culture, from African cultures, and from other cultures of the African Diaspora.

Visitor comments are welcome.

Thursday, April 11, 2013

Children Performing Traditional African Dances (South Africa & Zimbabwe)

Edited by Azizi Powell

This post showcases seven videos of traditional African dances performed by children from South Africa and children from Zimbabwe.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

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EDITOR'S NOTE ABOUT ADDING COMMENTS ON THIS BLOG
With considerable regret, I have disabled the comment feature on this blog (and on my other blogs except for https://pancocojams.blogspot.com, because of the large number of spam comments that I received on those blogs.

Comments for those blogs can be sent to my email address azizip17 dot com at yahoo dot com for possible inclusion in a specific post on those blogs.

****
FEATURED VIDEOS
(These videos are presented in chronological order based on the date of their YouTube posting, with the oldest dated videos posted first.)

Example #1: zulu kids dancing in south africa



voodoochop, Uploaded on Nov 7, 2006

zulu kids dancing in south africa. part of "a modern odyssey" photography show. amodernodyssey.com. proceeds go to two sisters charity. twosisters.org.za

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Example #2: Traditional Dance_ Chegutu, Zimbabwe (Africa)



elikkkaUploaded on Oct 31, 2007

school project zimbabwe - African dance

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Example #3: South African children dancing



Theparsonsflock, Uploaded on Feb 14, 2008

Children dancing for Pauls group.

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Example #4: Xhosa Traditional Dance Group [South Africa]



mossdeno1221, Uploaded on Nov 13, 2008

This is one of the stops of a local tour in the Garden Route. This is a presentation of a group of girls doing traditional Xhosa dances.

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Example #5: Traditional Shona Dance by Schoolkids



Timangola9, Uploaded on Sep 9, 2009

Primary school kids perform a traditional Shona dance
-snip-
From http://en.wikipedia.org/wiki/Shona_people
"Shona (pron.: /ˈʃoʊnə/) is the name collectively given to two groups of people in the east and southeast of Zimbabwe, and southern Mozambique."
-snip-
I'm not sure whether these school children live in Zimbabwe or Mozambique.

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Example #6: Traditional South African Dance



Matt Dixon, Uploaded on Oct 3, 2010

These kids live in a township called Kwamashu, they are all under 16yrs. They have known each other for a long time now and are looking for a opportunity to perform at bigger events. They have been acknowledged by Gateway which is a big shopping centre and have been great supporters of what the kids do. Hope you like the film and please leave comments and ideas.
Check out their Facebook group http://www.facebook.com/group.php?gid...

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Example #7: Urban Dance Southern Africa First Steps: The Children of Renco Mine

http://www.youtube.com/watch?v=-DYn4YI7GjI

embedding disabled by request

Rina Sherman, Uploaded on Jan 11, 2011 A five-part urban dance series filmed in Zimbabwe and South Africa in 1996.

Vidéo, 70', 1996, Production: ACA LTFA

Festivals: VidéoDanse, Pompidou Centre, 1996, 2009, VidéoDanse - CNDC Angers First Steps: The Children of Renco Mine

At the school of the Rio Tinto Gold Mine near Masvingo in Zimbabwe, children are taught dance as part of their school curriculum. Their bodies are totally engaged with the boys playing percussion whilst the girls take their first dance steps.
A five-part urban dance series filmed in Zimbabwe and South Africa in 1996.

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ACKNOWLEDGEMENT AND THANKS
Thanks to the children and youth who are featured in these videos. My thanks also to the producers and publishers of these videos.

Thanks for visiting zumalayah [zoom-ah-LAH-yah].

Zumalayah showcases videos of dances & singing games done in circles or in lines, and other movement performance arts from African American culture, from African cultures, and from other cultures of the African Diaspora.

Visitor comments are welcome.

Contemporary Southern African Wedding Dances (Masteps)

Edited by Azizi Powell

This post presents comments about and eight examples of contemporary Southern African wedding dances. These wedding dances sometimes referred to as "masteps" ("ma steps") or "steps".

This post also includes a video of this form of wedding dance being performed at a Congolese wedding.

The content of this post is presented for folkloric, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

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EDITOR'S NOTE ABOUT ADDING COMMENTS ON THIS BLOG
With considerable regret, I have disabled the comment feature on this blog (and on my other blogs except for https://pancocojams.blogspot.com, because of the large number of spam comments that I received on those blogs.

Comments for those blogs can be sent to my email address azizip17 dot com at yahoo dot com for possible inclusion in a specific post on those blogs.

****
DESCRIPTION OF THESE WEDDING DANCES
There are numerous videos of contemporary Southern African wedding dances, from 2007 to date. However, I've not found any internet article about those dances. This comment serves as an introduction to these dances albeit from someone who has never seen them in person. It's my hope that persons who are familiar with and knowledgeable about these dances publish comments to this post which correct or add to my statements and also write other articles about these dances.

The choreographed, rehearsed line dances which are the focus of this post are performed by a specific group of males & females at an indoor or outdoor wedding reception. The group performing this type of wedding dance may be composed of the bridesmaids & groomsmen, along with or without the bride and groom. Or the group may be a coed dance crew which is hired to perform at that wedding reception.

"Mastep" ("ma steps") * and "steps" are referents that are used in several YouTube videos of these types of wedding dances. However, most videos of those dances don't refer to those dances by name. My guess is that "masteps" (ma steps) is English for "my steps", meaning "my (dance) moves."

It appears that many commenters to videos of these African wedding dances most closely associate them with the nation of Zimbabwe. In addition to Zimbabwe, the other Southern African nations which have what appears to be a relatively new tradition of masteps at wedding receptions are - in alphabetical order- Botswana, Malawi, South Africa, and Zambia.

Masteps African wedding dances are performed to moderately uptempo recorded songs. The songs usually have been recorded by an African singer, but the singer need not be from the same African nation that the bride & groom are from. There doesn't appear to be one standard way of performing these choreographed dance routines. However, a standard feature of every masteps routine that I've watched on YouTube is that there are two, usually vertical, lines with one line being for the males and one line being for the females. Masteps routines can be performed as a processional "entrance" [to the reception] dances, as performances during the reception, and/or as a recessional "exit dances" for the wedding court. The dance routines themselves appear to me to consists of dance steps from the Rhumba, the cha cha cha, traditional dances from the bride and/or groom's nation or ethnic group, as well as contemporary Cngolese social dance steps, and other contemporary social dance moves.

Unlike the Electric Slide or The Wooble, to cite two popular wedding reception dances in the United States & in other countries, masteps aren't an audience participatory dance. Some wedding guests might dance on the sideline, but they never join in the performance of that mastep dance. Furthermore, from the numerous videos of these African wedding line dances that I've watched, it seems that persons watching performances of these dances hardily ever clap or sing along with the record, although some persons might do ulalations and some might otherwise loudly exclaim their appreciation of the dance, although I don't get the sense that those exclamations usually reach the level of the "shout outs" recognitions of individual performers by name & yelled encouragements that are given at many African American talent shows & step shows. It seems that the standard practice is for other attendees at the wedding to remain in their seats, watching the performance, and taking photographs or videos. And unlike most Nigerian and some other West African weddings, no money is sprayed on [showered on the heads of] the dancers.*

**Click http://pancocojams.blogspot.com/2013/03/the-african-custom-of-spraying-money.html for information about "spraying money".

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VIDEO WITH SELECTED COMMENTS
Zim Wedding dance-Ma steps-Munyaradzi and Tatenda



draino27, Uploaded on Jun 18, 2007

Tatenda Matutu and Munyaradzi Maraura's Wedding Aug 12 2006.Dancing to Muntuza(2bobo) by Malaika
-snip-
"Zim" is a colloquial referent for "Zimbabwe"

Here are some comments from this video's viewer comment thread http://www.youtube.com/watch?v=pZV6FgKuEks
ormgm, 2009
forevaalwaize, 2007
Man we had a wedding august of 2007 but guess we weren't searching right coz we never found these masteps! Groom asi ndivo vanga vari coach kani?
**
Samantha Mapfumo, 2007
we copied tha dance moves frm these steps fr this zimbabwean wedding, n everyone liked them.. thanks fr the insiparation... happy new year!! ma steps aya akapenga!

**
ormgm, 2009
Ya this is more like it..Southern africa wedding dance--Zim,Botswana, South Africa, Swaziland and Lesotho..Same style..!

**
schurch777, 2009
I need info.. of the details of the guy hu teaches ma steps please!

**
MsAfricanbeauty1, 2010
Zim weddings are almost like Zed oneS! i love this video. whats the name of the song and who is it by?
-snip-
"Zed" is a colloquial referent for Zambia.
**
murambinda23, 2010
wow, i like mmm makagona
-snip-
Another commenter mentioned "magona steps" in reference to this video. I wonder if "makagona" or "magona" is a type of Zimbabwean dance.
**
msfunkychiken, 2010
Man me and my friend watch your video ALLLLL the time....ma steps are just BEAUTIFULL i will be using them for inspiration in the future!!

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OTHER FEATURED VIDEOS
(These videos are presented in to showcase various styles of contemporary wedding dances. No order of preference is intending by the numbers that are assigned to these videos.)

Example #1: Zambian Wedding Party



beconcerned, Uploaded on Dec 3, 2007

The WILD entry dance at a Zambian Wedding reception, with a bridal party comprised of 11 Zambians and 1 American, dancing to Congolese rumba music

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Example #2: Perpe & Paida Wedding Dance 1 [Zimbabwe]



Shepherd Mutyora, Uploaded on Jan 8, 2012

Wedding reception dance at Rainbow Towers Hotel, Harare, Zimbabwe
-snip-
Notice at around 2:40 in this video each couple takes a turn dancing down the aisle formed in between the male line & the female line in a manner that was popularized by the television dance show "Soul Train".

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Example #3: Wedding exit dance



Samuellyc, Uploaded on Oct 19, 2011

Bevis and Mutale's exit dance at their incredible wedding in Zambia. For all those asking the track is Grippe Aviaire by DJ Lewis.

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Example #4: Joyo's Wedding Anniversary Dance (Part 1)



AubreyJoyo Uploaded on Jul 15, 2011

20th Wedding Anniversary Mr Austin & Mrs Kate joyo, Hilton Garden Inn, USA. Malawian Wedding.

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Example #5: sera and clive's wedding.wmv


maggiesoblessed gwatirisa, Uploaded on Jul 14, 2011

my sisters's wedding
-snip-
This is a Zimbabwean wedding that was held in the UK

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Example #6: U gotta love a Botswana wedding!!! part 1



Buzzstylo, Uploaded on Sep 11, 2010

A terrific dance ya baetsana in Mangana, Tutume, Botswana!

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Example #7: African Wedding Botswana serudi phuu marrying Robin Nelson

.

rudy80ish, Published on Mar 15, 2012

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RELATED VIDEO
Note: Although various commenters attribute some of these dance steps to the Congo, this is the only YouTube video that I've found to date of a "mastep" dance routine at a Congolese wedding.

Wedding entrance African style.mp4



beavadvideo, Uploaded on Apr 25, 2010
African wedding filmed by Beavad Video Productions (www.beavadvideo.com)
-snip-
Here's a comment written in response to several commenters who wrote that this was a Zimbabwean wedding:

Annalise Carter, 2011
I went 2 the wedding @mumbi42 is right it is congalese and it's in KENYA!

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RELATED LINKS
Click this link to a post on Zambian wedding dances: http://pancocojams.blogspot.com/2012/02/wedding-dances-zambia.html. Pancocojams is my other cultural blog.

Click http://www.youtube.com/watch?v=mluSE0EGsv8 African Wedding- dancers, Kyangwali Settlement, Uganda for a video of a Ugandan wedding dance which is quite similar to masteps. However, this dance differs from masteps in that the dancers are all female. Furthermore, unlike mastep dances, this group aren't dancing to recorded music, but the music for the dance comes from the dancers and the drummers.

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ACKNOWLEDGEMENT AND THANKS
Congratulations to all those whose weddings were featured in these videos. Thanks to all the choreographers and dancers featured in these videos. My thanks also to the producers of these videos and their publishers on YouTube.

Thanks for visiting zumalayah.

Zumalayah showcases videos of dances & singing games done in circles or in lines, and other movement performance arts from African American culture, from African cultures, and from other cultures of the African Diaspora.

Visitor comments are welcome.

Tuesday, April 9, 2013

Bèlè Dances In Martinique, West Indies (Information & Videos)

Edited by Azizi Powell

This post presents infoRmation about Bèlè dances In Martinique, West Indies.

This post also showcases nine videos of these dances.

The content of this post is presented for folkloric, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

****
EDITOR'S NOTE ABOUT ADDING COMMENTS ON THIS BLOG
With considerable regret, I have disabled the comment feature on this blog (and on my other blogs except for https://pancocojams.blogspot.com, because of the large number of spam comments that I received on those blogs.

Comments for those blogs can be sent to my email address azizip17 dot com at yahoo dot com for possible inclusion in a specific post on those blogs.

****
INFORMATION ABOUT BELE DANCES
Here's some information about this dance:
From http://ziloka.wordpress.com/2009/07/28/bele-when-martinique-dances/
"Even if the etymology of the word is not clear, Bèlè encompasses a wide range of dances from the Island of Martinique. Product of West African patterns and European influences, one can say that Bèlè is part of the Creole aesthetic so unique and so typical of the Caribbean. Indeed, slaves used to dance and play drums for all the occasions of their lives. There was a rhythm to work, a rhythm to fight, a rhythm to worship, a rhythm to celebrate and of course a rhythm to seduce. Each step, and drum beat had a meaning, which is partially lost nowadays. Nevertheless, the spirit of fellowship still remains, making Bèlè relevant even in the 21st century.

If you are invited to a “Swaré Bèlè” (a Bèlè party) you will be able to see or join “la ronde Bèlè” (the Bèlè circle). In this circle, you have “La vwa” (the singer and the backup singers called “Le répondè”), lé tambouyé (2 drummers), “Le bwatè” (someone setting the rhythm, hitting the back of the drum with two sticks).

A basic “Bèlè ronde” is composed of 8 dancers, with 2 couples dancing simultaneously while the other couples wait their turn to join the dance. As we saw earlier, there are different dances for occasions. "... [A description of different Bèlè dances follows in that post.]

****
From an emailed article that was sent to my Cocojams.com website on 10/7/2012 by Kieron Sargeant: "Bele History" by Emelda lynch Griffith
"In the late 18th Century when the French plantation owners and their slaves came to Trinidad and Tobago, they brought with them a life style of joie de vivre to their plantations. At that time, the French held many balls at the Great Houses where they enjoyed doing many of the courtly dances of Europe including the minuet.

The house slaves, in their moments of leisure, took the dance to the field slaves and mimicked the dance of their masters. They showed off by doing ceremonious bows, making grand entrances, sweeping movements, graceful and gentle gliding steps which imitated the elegance of the French doing the minuet whilst the rhythmic quality of the drums added spicy and yet subtle sensuality to the movements.

During the passage of time, this dance has evolved to what is now called the Bele. It includes the African ritual form that places the spiritual and the secular side by side. As a result different versions of the Bele can be found wherever the French settled in the Caribbean.

Carabinee - The opening dance where host greets the gathering.

Simple Bele - Expresses the gracefulness of the dancer – usually done by La Reine – the Queen.

Grand Bele - Couples dancing (male and female) similar to a square dance"
-snip-
A Bele dance that was choreographed by Kieron Sargeant is included in this page of my Cocojams website http://cocojams.com/content/caribbean-folk-dances

EATURED VIDEOS
(These videos are presented in chronological order based on the date of their YouTube posting, with the oldest dated videos posted first.)

Example #1: MARTINIQUE - Bèlè **Mabélo**

http://www.youtube.com/watch?v=UtG2uLDEUUI

lagoyave, Uploaded on Apr 22, 2008

Tradition Martinique
People from Martinique Island (FWI) [French West Indies]

[embedding disabled by request]
-snip-
Here's a comment from that video's viewer comment thread:
"It is fasinating! The melodic structure of the chantwell's la veh is that same as what is used in Trinidad, though the dance movements resembles the pique more than our bele steps."
- Arthur Nunez, 2013
-snip-
"chantwell"- the lead singer
-snip-
The video given as Example #6 of this post demonstrates this style of Bele dancing.

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Example #2: soirée bélé



lesamisdubele, Uploaded on Nov 13, 2008


le robert etais chaud
-snip-
Here's a comment from this video's viewer comment thread http://www.youtube.com/watch?v=ryNz3hDgdVM
"This is bomba! lol J/K i know its bele but it is cousin drumming tradition to puerto rican bomba.. this is great
-vanchi233, 2010

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Example #3: Swaré Bèlè Kanigwé



Thierry Negi, Uploaded on Apr 18, 2010

Soirée Bèlè au grand marché de Fort de France, le samedi 17 avril 2010 organisée en Hommage à Aimé Césaire par l'Association "Kanigwé" .

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Example #4: Swaré bèlè de Bèlènou - Bèlè Kourant'.wmv



Thierry Negi, Uploaded on Jun 7, 2010


Swaré bèlè organisée par l'Association "Bèlènou", le 05 juin 2010 au quartier Roches carrées au Lamentin (Martinique).

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Example #5: Gran Bèlè - AM4 (chant Pierre Dru)



Ruddy Boa, Uploaded on Oct 3, 2010

Gran Bèlè - AM4 (chant Pierre Dru)

Extrait émission Select Tango RFO Martinique (1983)

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Example #6: MARTINIQUE - Mabel O petite demo de la danse Bele et bonne humeur



lagoyave, Uploaded on Dec 22, 2010

Démonstration avec des volontaires du public. Ma Belle Oh (Mabèl O) est un titre célèbre du Bèlè, danse traditionnelle de la Martinique. C'était aussi un chant pour la fécondité. Si vous partez en vacances en Martinique, renseignez-vous auprès de l'office du tourisme et des collectivités pour assister à un 'rassemblement' typique de danses Bèlè, Kalennda et Damier, d'abord parce que l'ambiance y est formidable et puis ensuite cette tradition est magnifique. Des cours sont également disponibles à Paris et en région Ile-de-France. Surtout n'hésitez pas à me laisser un commentaire ou à m'envoyer un e-mail...=;)
-snip-
I don't speak French, but I think that the title of this video indicates that this is a brief, good humored [a funny] demonstation of this style of Bele dancing. And if I'm correctly deciphering it, I think that a portion of that summary says that this is a public demonstration of a fertility dance which is similar to the Calenda dance. And if I'm not mistaken, the commenter also writes that the name for this style of Bele dance comes from the phrase Ma Belle Oh" (Oh my beautiful lady).

Additions & corrections to this partial transcription are welcome.

****
Example #7: Bèlè - Bélya manmay la



kaboogo, Uploaded on Oct 18, 2011

Swaré bèlè Berthé Grivalliers lanmézon bèlè Sent-Mari
La Vwa Felix Cebarec

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Example #8: Bèlè - Titine di mwen



kaboogo, Uploaded on Oct 21, 2011

Swaré bèlè Berthé Grivalliers lanmézon bèlè Sent-Mari

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Example #9: Soirée Bèlè Samedi 05 Janvier 2013 Maison du Bèlè-Gran Bèlè



LA MAISON DU BELE, Published on Jan 7, 2013

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ACKNOWLEDGEMENT AND THANKS
Thanks to all those featured in these videos. Thanks to those who choreographed these dances and those who rovided information about Bèlè Dances. My thanks also to the producers of these videos and their publishers on YouTube.

Thanks for visiting zumalayah.

Zumalayah showcases videos of dances & singing games done in circles or in lines, and other movement performance arts from African American culture, from African cultures, and from other cultures of the African Diaspora.

Visitor comments are welcome.

Monday, April 8, 2013

Five Videos Of Egyptian Saidi Stick Dances (Raks Assaya & Tahtib) , Part II

Edited by Azizi Powell

This is Part II of a two part series on stick (cane) dances from Upper Egypt (Saidi dances). Part II showcases five videos of Saidi stick dances. Information about Saidi dancing is included in some of the summaries for these featured videos.

More information about these dances are found in Part I of this video. Part I also includes three videos of Saidi dances.

Click http://zumalayah.blogspot.com/2013/04/egyptian-saidi-stick-dances-raks-assaya.html for Part I of this series.

The content of this post is presented for folkloric, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

****
EDITOR'S NOTE ABOUT ADDING COMMENTS ON THIS BLOG
With considerable regret, I have disabled the comment feature on this blog (and on my other blogs except for https://pancocojams.blogspot.com, because of the large number of spam comments that I received on those blogs.

Comments for those blogs can be sent to my email address azizip17 dot com at yahoo dot com for possible inclusion in a specific post on those blogs.

****
FEATURED VIDEOS
Example #1: EGYPTIAN SAIDI STICK DANCE FROM LUXOR BY OSMAN BALATTA



Tarik Sultan, Uploaded on Jul 19, 2007

This is Osman Balatta, a long time friend and merchant in Luxor Egypt demonstarting for us the traditional dance style of Upper Egypt.
-snip-
Here's a transcript of the publisher’s introductory text that is found in the video:
"Osman is not a professional dancer, He is a merchant and has several stores in Sharm El Shiekh and in Luxor. However, for the sake of our group, He agreed to demonstrate the dance style that is typically done in the area, usually at weddings and other social gatherings.

Here he demonstrated the upper Egyptian stick dance Raks Al Assaya, often confused with Takhtiyb, which is a stick fight.

The music starts out in the Jihanni rhythm and the steps are an imitation of the dancing horses. The sticks called Assa or Assaya frames the body and imitates the moves of Takhtiyb.

Osman also demonstrates the sense of humour that is part of the character of Egyptian dance."

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Example #2: Egyptian Stick Dance تحطيب taḥṭīb or Raqs al assaya



EgyptPropertyForSalem, Uploaded on Dec 19, 2011

Tahtib (Arabic: تحطيب taḥṭīb) is the Modern Egyptian term for a traditional form of Egyptian folk dance involving a wooden stick, also known as "stick dance" or "cane dance". It is sometimes also described as a "stick-dancing game", or as a highly ritualized mock fight accompanied by music. Also known as Raqs al assaya

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Example #3:Saidi Fellaheen, Egyptian Folkoric, Water Jug and Stick Dance



NormaDancer2, Uploaded on Nov 16, 2009

A classic folkloric dance from Upper Egypt. As the women go to the NIle to collect water they encounter a group of men who also need water. But one of the women, catches the eyes of the men.

Music of Metkal Kenawi. Main dancer: Hala Safy

Sorry for the teeny clip of Souheir Zaki in the beginning. Couldn't cut it out without losing the beginning.

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Example #4: troup reda ..saidi فرقة رضا.. العصاية



orbot55, Uploaded on Aug 11, 2009
troup reda ..saidi فرقة رضا.. العصاية
-snip-
Several commenters wrote that Saidi dances can be performed with or without a stick.

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Example #5: Ashira dancing a Saidi with double cane - Ashira Belly Dance



CelesteAlarcon, Uploaded on Mar 1, 2011

Ashira dancing a saidi with double cane at the Hannan's Belly Dance Studio Student Show - June 2009

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ACKNOWLEDGEMENT AND THANKS
Thanks to all those featured in these videos. My thanks also to the producers of these videos & their publishers on YouTube.

Thanks for visiting zumalayah.

Zumalayah showcases videos of dances & singing games done in circles or in lines, and other movement performance arts from African American culture, from African cultures, and from other cultures of the African Diaspora.

Visitor comments are welcome.

Information About & Three Videos Of Egyptian Saidi Stick Dances

Edited by Azizi Powell

This is Part I of a two part series on stick (cane) dances from Upper Egypt (Saidi dances). Part I of this series provide some information about Saidi dances and three videos of Saidi dances.

Part II of this series provides five additional videos of Saidi stick dances. Click http://zumalayah.blogspot.com/2013/04/five-videos-of-egyptian-saidi-stick.html for Part II of this series.

The content of this post is presented for folkloric, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

****
EDITOR'S NOTE ABOUT ADDING COMMENTS ON THIS BLOG
With considerable regret, I have disabled the comment feature on this blog (and on my other blogs except for https://pancocojams.blogspot.com, because of the large number of spam comments that I received on those blogs.

Comments for those blogs can be sent to my email address azizip17 dot com at yahoo dot com for possible inclusion in a specific post on those blogs.

****
INFORMATION ABOUT SAIDI DANCES
From http://www.orientaldancer.net/belly-dance-library/dance-middle-east/saidi-dance.php
Saidi Dance By Ashraf Hassan

"The Saidi dance is from Upper Egypt, between Gizeh and Edfu.The Saidi people are upper Egyptian farmers. Usually a Saidi dance is lively, energetic and earthy. The dancer uses one or two sticks, originally made of bamboo.

There are two types of Saidi stick dance: Raks Assaya and Tahtib. The word Tahtib means dancing with sticks and it is originally a kind of conflict with sticks between men to show their power. Tahtib is the oldest form of Egyptian martial arts to have survived. Tahtib dancing is a product of Egyptian martial arts from the pharaonic times. The Pharaohs painted this kind of dance on the walls of their temples and their soldiers learned it.

Tahtib was considered, at that time, to be weapon training. The ancient Egyptians performed stick fencing or stick fighting as a tribute to the pharaoh. This type of fencing was probably based on an actual fighting system used in combat with a shield and a sword - as with the wooden bukko in Kendo which then evolved into a system with its own rules and methods...

In many respects, it resembles the sport of single stick. Like other martial arts of the world which are tied culturally to dance and music traditions, such as Brazilian Capoiera and Indonesian Silat. Tahtib is a special art form in that it combines both real combat aspects, and aesthetic aspects, and the concept of The Game or Play...

There is NO historical evidence to prove how Tahtib was created. However, there is historical evidence referencing the Pharaoh Menes (c305-285BCE), who unified Egypt and his desire to have the world's greatest army.

Supposedly, he invited the greatest warriors throughout all of Africa, India, and several other locations in the Middle-East to train his armies. This was probably the catalyst for the first Olympic Games. Elements of Tahtib can found in the more well known martial arts of the world; namely Eskrima (Filipino Stick Fighting), White Eyebrow Kung Fu (Bak Mei), Pencak Silat, Krav Maga, Muay Thai, Hwa Rang Do, Ninjitsu, and various Capoiera styles...

Tahtib has changed over years to be just a kind of dance with Stick. Stick dance belongs to folk dances. The stick is regarded as a symbol of masculinity, i.e. a phallus. Although the dance form originally started as male-only, there are women who perform dressed as men and dance with other women.

Another female version of stick dancing has been developed with a flirtatious and generally less aggressive style, and incorporated into cabaret or "belly dance." The stick used for this type of dancing is generally thinner, more lightweight and hooked at one end like a cane, and generally embellished with metallic-coloured foil or sequins.

Stick fighting has been used to settle disputes between members of rival families, mostly in the Egyptian countryside. The men's stick dances are very dramatic and manly dances - not to be confused with the coquetry of the women's dance. Tahtib is a favorite dance at any festive occasion, such as weddings, welcoming parties, and harvest festivals. It is also practiced by the men as a pastime and used as a means of self-defense.

The stick itself is about four feet in length and is called an Asa, Asaya or Assaya, or Nabboot. It is often flailed in large figure-8 patterns across the body with such speed and violence that the displacement of air is loudly discernible.

There is another form practiced from horseback known as "Horse Stepping" which uses a stick that is nearly 12 feet long. Raks Assaya is performed by men and/or women and shows off a more acrobatic version of handling the stick. The women's version of the stick dance is, of course, much more feminine and graceful, and can only lightly imitate the Tahtib.

One story claims these women's dances are a parody of the men's stick dances. They make the movements cute and flirty and omit the fighting. The women flaunt effortless control of their much smaller stick or crooked cane. They use it unabashedly as a frame for the body movements. Some of the women's movements echo the 'tahtib' and sometimes the men imitate the woman's style...

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FEATURED VIDEOS
Example #1:
التحطيب بمولد الحسين 2011



ali elsherbiny, Uploaded on Mar 30, 2011
التحطيب الرقصة الشعبية لأهل الصعيد فى مصر / فى إحتفالات مولد الحسين 29 /3/2011 /

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Example #2: رجب الاسيوطى



ragabalasuotie, Uploaded on Nov 2, 2009وطى

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Example #3: أبناء الفراعنة في الكويت في التحطيب



Co0lZeRo10, Uploaded on Nov 6, 2009
-snip-
This summary includes extensive comments written in Arabic.

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ACKNOWLEDGEMENT AND THANKS
Thanks to all those featured in these videos. My thanks also to the producers of these videos & their publishers on YouTube.

Thanks for visiting zumalayah.

Zumalayah showcases videos of dances & singing games done in circles or in lines, and other movement performance arts from African American culture, from African cultures, and from other cultures of the African Diaspora.

Visitor comments are welcome.

Sunday, April 7, 2013

La Conga! The Cuban Origin Of The Conga Line

Edited by Azizi Powell

This post presents information about & videos of La Conga in Cuba & the Conga line in the United States.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

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EDITOR'S NOTE ABOUT ADDING COMMENTS ON THIS BLOG
With considerable regret, I have disabled the comment feature on this blog (and on my other blogs except for https://pancocojams.blogspot.com, because of the large number of spam comments that I received on those blogs.

Comments for those blogs can be sent to my email address azizip17 dot com at yahoo dot com for possible inclusion in a specific post on those blogs.

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INFORMATION ABOUT LA CONGA & INFORMATION ABOUT THE CONGA LINE
From http://americansabor.org/musicians/styles/conga Latinos in US Popular Music
"The term Conga refers to both a style of music and the dance that accompanies the music, as well as an Afro-Cuban instrument, the conga drum (traditionally called the tumbadora).

Originating out of the city of Santiago in Cuba, the conga became a popular festival dance in which members of the audience would join in line with the comparsas (performing musicians and dancers). The infectious line dance, which features a distinctive African-inspired rhythm, became popular with lower class Cubans, particularly Blacks and was banned in the 1920s and '30s in some Cuban cities, including Santiago.

However, during this time White Cuban pianist and composer Eliseo Grenet brought the conga craze to international audiences in Paris, London and New York and it has remained popular ever since. Gloria Estefan’s Miami Sound Machine further strengthened the Conga craze with their 1986 hit, Conga, and the line dance is now a ubiquitous party classic."
-snip-
From http://en.wikipedia.org/wiki/Conga_(comparsa)#The_conga_of_Los_Hoyos
..."Congas and comparsas are different parts of the carnivals of Santiago de Cuba.,[1] and by extension, similar groups may be found in carnivals in Havana...

Los Hoyos is a district in downtown Santiago de Cuba and home to the Conga of Los Hoyos. The date of the founding of this conga is unknown, but it was already in existence in 1902 (del Carmen et al. 2005).

At first, the instruments of the group were a pilón, some bocúes, a cowbell and a güiro. Later, two redoblantes were added, the number of bocúes was increased and the cowbell and güiro were replaced by frying pans. Later still, the frying pans were replaced by the campanas (automobile brake drums or other pieces of metal chosen for their distinct sound qualities). Also added were the quinto and the requinto. Los Hoyos first began using a corneta china in 1916 (del Carmen et al. 2005).

During the carnaval season, Los Hoyos performs a traditional event known as an "invasión," in which it marches around the streets of Santiago and visits the neighborhoods where the other famous congas[7] are located. This "invasión" commemorates the invasion of the Army of Liberation at the end of the War of Independence. Los Hoyos also closes the traditional parades of the Carnaval of Santiago de Cuba (del Carmen et al. 2005)."..
-snip-
From http://en.wikipedia.org/wiki/Conga_line
"The conga line is a Cuban carnival march that was first developed in Cuba and became popular in the United States in the 1930s and 1950s. The dancers form a long, processing line. It has three shuffle steps on the beat, followed by a kick that is slightly ahead of the fourth beat. The conga, a term mistakenly believed to be derived from the African region of Congo, is both a lyrical and danceable genre, rooted in the music of carnival troupes or comparsas.[1]...

Beginning in the late 1930s, and intensely in the 1940s, it [the conga dance] became wildly popular in the United States, due in no small measure to Hollywood's "Latin" musicals.[1] RKO's offerings were particularly influential, notably Too Many Girls (1940), in which Desi Arnaz appeared as a conga-playing Argentine student.[1] Spanish-Catalan band-leader Xavier Cugat, who gave Arnaz his musical start, helped to popularize the dance, but the biggest impact belonged to Arnaz himself.[1] With its simple march step, the interlinking of dancers snaking about in single file, and one-two-three-hump rhythm with the fourth beat strongly marked. The dance was not only attractive but also readily accessible to United States and other foreign audiences. The other important aspect of the dance was the music: The instrument use by musicians and even the rhythm they play was interesting. The dance started to gain some popularity in the United States around 1929 when the original La Conga Nightclub opened its doors. It was believed that the La Conga Nightclub was at Broadway and 51st street in New York.[3] By 1937, the conga was well known in New York."

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FEATURED VIDEOS: LA CONGA IN CUBA

Example #1: cubanfolkloricdance



cubanfolkloricdance, Uploaded on Sep 19, 2007

Conga Santiaguera - Performance by Ballet Folklórico Cutumba de Santiago, Cuba. More information on Cutumba at www.cubanfolkloricdance.com

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Example #2: La Conga Santiaguera Part 3



DJOMARITO, Uploaded on Jun 24, 2009
-snip-
This is La Conga in Santiago de Cuba (Los Hoyos)

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Example #3: La Conga Cubana - Santiago - Cuba - 014v02



CubaVideosCom, Uploaded on Nov 29, 2011

"La Conga" is one of the most authentic cuban musical traditions, one that makes everyone move. Santiago de Cuba is where the biggest, best and hosttest congas are found, they all gathers in the Santiago the Cuba Carnivals for the best Conga show in the world.

In this video the conga is performed by childrens as a practice for the later Santiago´s Carnival opening that same day. Original music by Yaso. More Cuba videos at cubavideos.com
-snip-
Here's the English text given in that video of comments that musician Jose Armando Garzon gave about La Conga [found at .17-.52]
“La Conga is a hybrid of what the Catalans call “La Joya” and one thing that came from Africa, “the Kinfruity”. It’s the day that the king was no king at all on the party day, the king was no king and the people could call the king anything, and do anything. Since then the singings in the conga are singings that sometimes...Well, they are irreverent! The conga is like that a group of people, singing, dancing, playing percussion instruments and doing all kind of mischief."
-snip-
I can find no information online about any dances called "La Joya"
or "Kinfruity". However, Jose Armando Garzon's description of a time when authority roles are subverted & normal rules are suspended correlates with the medieval European traditions of carnival. In his 1923 book Ashanti R.S. Rattray, describes a similar period of time in Ghana called "Apo" in which people ha what Rattray called "Lampooning Liberty". Rattray quotes an old high priest who said:
[Because conditions & interactions cause a person's sunsum [soul] to get sick and people are often prohibited during normal times from freely expressing themselves] "our forbears...ordained a time, once every year, when every man and woman, free man and slave, should have freedom to speak out just what was in their head, to tell their neighbors just what they thought of themm and of their actions, and not their neighbors but also the king o chief. When a man has spoken freely thus, he will feel his sunsum cool and quieted, and the sunsum of the other person against whom he has now openly spoken will be quieted also. The King of the Ashanti may have killed your children, and you hate him. This has made him ill, and you ill, too; when you are allowed to say before his face what you think, you both benefit. That was why te King of Ashanti in ancient times, when he fell sick, would send for the Queen of Nkoranza to insult him, even though the time for the ceremony had not come yet. It made him live longer and did him good." [R.S. Rattray: Ashanti, Oxford University Press, 1969, p. 153; originally published in 1923]

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FEATURED VIDEOS OF THE CONGA LINE
Example #1: Weekend At Bernie's II: The Conga Line



Uploaded on Oct 4, 2007

Bernie Lomax, brought back to life during a botched voodoo ceremony in "Weekend At Bernie's II", joins in a conga line in the U.S. Virgin Islands.

The song "Momma Let Go" is written by Péter F. Wolf and performed by J. D. Nicholas.
-snip-
"Weekend At Bernie's" is a 1989 American movie.

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Example #2
Conga Line / Party Train set up version



CompleteMusicKC, Uploaded on Jan 3, 2010

Another good way to get guests on the dance floor with out asking them to come out on the dance floor.
-snip-
The Conga line dance begins at 2:18 in this video.

ACKNOWLEDGEMENT AND THANKS
Thanks to all those who are featured in this post. My thanks also to the producers of these videos and the video's publishers on YouTube.

Thanks for visiting zumalayah.

Zumalayah showcases videos of dances & singing games done in circles or in lines, and other movement performance arts from African American culture, from African cultures, and from other cultures of the African Diaspora.

Visitor comments are welcome.

Indlamu - The Dance That Ladysmith Black Mambazo Does

Edited by Azizi Powell

This post presents two videos of the South African vocal group Ladysmith Black Mambazo, with special focus on their performance of the indlamu dance. Three additional videos of other groups performing the indlamu dance are also featured in this post along with information about that traditional Zulu dance.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

INFORMATION ABOUT INDLAMU DANCING
From http://en.wikipedia.org/wiki/Indlamu
"Indlamu (IPA: [ind͡ɮaːmu]) is a traditional Zulu dance from South Africa where the dancer lifts one foot over his head and brings it down hard, landing squarely on the downbeat. Typically, two dancers in warrior's pelts perform indlamu routines together, shadowing each other's moves perfectly. Also often referred to as a Zulu war dance and often performed at weddings.

Indlamu is also the traditional short beaded skirt of young Swazi maidens during the Umhlanga (Reed Dance)."

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EDITOR'S NOTE ABOUT ADDING COMMENTS ON THIS BLOG
With considerable regret, I have disabled the comment feature on this blog (and on my other blogs except for https://pancocojams.blogspot.com, because of the large number of spam comments that I received on those blogs.

Comments for those blogs can be sent to my email address azizip17 dot com at yahoo dot com for possible inclusion in a specific post on those blogs.

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FEATURED VIDEOS OF LADYSMITH BLACK MAMBAZO
Example #1: Ladysmith Black Mambazo ... doin' the dance



Dainon Moody, Uploaded on Jul 23, 2009

Man, they can kick high. From a performance in Salt Lake City, [Utah, USA] filmed on July 22, 2009 @ The Jeanne Wagner Theatre downtown.
-snip-
Special thanks to ITholeLeNdlovu, who posted this comment in 2012 in that video's viewer comment thread http://www.youtube.com/watch?v=Kx8dmQHyIbw
"It's called Zulu dance or Indlamu".
-snip-
Prior to reading that comment, I didn't know the name of this high kicking dance that I associated with Ladysmith Black Mambazo and which I had seen in other videos of Zulu dancing.

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Example #2: Ladysmith Black Mambazo - Wentomb'unecala Live

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LadysmthBlackMambazo, Uploaded on Jan 13, 2011
-snip-
This video will be showcased in an upcoming post on my pancocojams blog. That post includes my speculation-using an online Zulu to English feature-about the English translation of the title "Wentomb'unecala".
-snip-
Editor's comment: I'm not sure if all of Ladysmith Black Mambazo's movements while they sing are a part of the traditional indlamu dance. It seems to me that some of their movements are part of the theatrical technique of "mime" (pantomime). An example of this is when all of the members of Ladysmith Black Mambazo wave their hand in the well recognized gesture for "hello" while singing the English word "hello" as part of their performance of the song "Homeless". Maybe miming was always part of isicathamiya singing or is now a part of isicathamiya singing which is the type of singing that Ladysmith Black Mambazo does.
-snip-
Click http://en.wikipedia.org/wiki/Ladysmith_Black_Mambazo for information about Ladysmith Black Mambazo.

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FEATURED VIDEOS OF OTHER SOUTH AFRICAN GROUPS

Example #1: Pretty Zulu Girls show their Wedding Dance.



Jan van der Meer·Uploaded on Apr 28, 2008
http://www.voluntourismtips.blogspot.com Beautiful Zulugirl Mafuthi Mathenjwa works at the Simunye Community Tourism Association Office (sponsored by DaimlerChrysler) based at the entrance of Khula Village a small rural settlement next to the Dukuduku Forest on the fringes of the Greater St Lucia Wetland Park in Zululand.
Mafuti is the pretty receptionist and dancer in the nearby Veyane Cultural Village we filmed her and the dancers in a wedding song for YouTube. They like to become famous and attract more tourists, so tell them please you saw her here on YouTube. This tourism office is the first in South Africa to be entirely owned and operated by members of the local community.

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Example #3: Zulu dance Indlamu yokuqala.MP4



Makhungv Uploaded on Jul 13, 2010
Kulendlamu Kwakungumemulo Esijozini eMsinga

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Example #3: PAMATA - Indlamu - Musaion 03.06.2012


PAMATAGROUP, Published on Jun 4, 2012
"Indlamu" is an isiZulu traditional dance style to show strength.

PAMATA (Pan African Music and Theatre Arts) is a cultural and skills development organisation started in 2008 to develop, educate, nurture and inspire South African youth through the arts and culture.

The performers are: Blessing Rammego, CalvinGifted Manyaka Wa Mamphela, Elsie Zondo, Humbulani Mathivha, Nhlanhla Momozana KaMahlang, Reneilwe Madibe, Sammy Blood, Thato, William Lehlogonolo, Zoe Mhlanga, & Julius Kyakuwa

Pamata Director: Charles K. Mugerwa
Artistic Director: Julius Kyakuwa

Musaion Auditorium (University of Pretoria) - 03/06/2012
-snip-
Notice the drummer who is wearing a dashiki. The members of Ladysmith Black Mambazo also wear dashikis.

"Dashikis" were created in the late 1960s by African Americans who patterned them after the Yoruba male attire known as "dansiki". That clothing attire is not traditional to South Africans. But the exact same dashiki colors & patterns worn by that drummer in this video was very common in dashikis worn in the USA during the late 1960s/early 1970s.

Information about dashikis can be found in this post on my pancocojams cultural blog: http://pancocojams.blogspot.com/2012/02/dashikis-adaptation-of-yoruba-dansiki.html.

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WARNING FOR EDUCATIONAL USERS
Women wear tops in all of the videos featured in this post. However, some other YouTube videos of indlamu dancing show women topless, which is the traditional way that this dance was & may still be performed.

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ACKNOWLEDGEMENT AND THANKS
Thanks to all those who created indlamu dancing and my thanks to those who performed, and who now perform this dance. Thanks also to the producers of these videos and thanks to their publishers on YouTube.

Thanks for visiting zumalayah.

Zumalayah showcases videos of dances & singing games done in circles or in lines, and other movement performance arts from African American culture, from African cultures, and from other cultures of the African Diaspora.

Visitor comments are welcome.